The Cat's TableBook - 2011
In the early 1950s, an eleven-year-old boy in Colombo boards a ship bound for England. At mealtimes he is seated at the “cat’s table”—as far from the Captain’s Table as can be—with a ragtag group of “insignificant” adults and two other boys, Cassius and Ramadhin. As the ship crosses the Indian Ocean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: they are first exposed to the magical worlds of jazz, women, and literature by their eccentric fellow travelers, and together they spy on a shackled prisoner, his crime and fate a galvanizing mystery that will haunt them forever. By turns poignant and electrifying, The Cat’s Table is a spellbinding story about the magical, often forbidden, discoveries of childhood, and a lifelong journey that begins unexpectedly with a spectacular sea voyage.
Baker & Taylor
Boarding a 1950s ship and sequestered to an out-of-sight dining table with other marginalized children, an eleven-year-old boy shares rollicking adventures while traveling to various world regions, learning about jazz, women, and a shackled prisoner along the way.
From the critics
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I once had a friend whose heart “moved” after a traumatic incident that he refused to recognize. It was only a few years later, while he was being checked out by his doctor for some minor ailment, that this physical shift was discovered. And I wondered then, when he told me this, how many of us have a moved heart that shies away to a different angle, a millimetre or even less from the place where it first existed, some repositioning unknown to us. Emily. Myself. Perhaps even Cassius. How have our emotions glanced off rather than directly faced others ever since, resulting in simple unawareness or in some cases cold-blooded self-sufficiency that is damaging to us? Is this what has left us, still uncertain, at a Cat’s Table, looking back, looking back, searching out those we journeyed with or were formed by, even now, at our age?
In any case, it seemed to us that nearly all at our table, from the silent tailor, Mr. Gunesekera, who owned a shop in Kandy, to the entertaining Mr. Mazappa, to Miss Lasqueti, might have an interesting reason for their jouney, even if it was unspoken or, so far, undiscovered. In spite of this, our table's status on the Oronsay continued to be minimal, while those at the Captain's Table were constantly toasting one another's significance. That was a small lesson I learned on the journey. What is interesting and important happens mostly in secret, in places where there is no power. Nothing much of lasting value ever happens at the head table, held together by a familiar rhetoric. Those who already have power continue to glide along the familiar rut they have made for themselves.
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